Dancing words

Participants are led to a visualization exercise based on a certain topic or question related to a social issue (such as equality, inclusion, sustainability). Based on this, they engage in flow writing and then create a dance improvisation related to the text from the previous task. This method connects movement and writing, which leads to embodying ideas, emotions and sparking a discussion on social topics.

THEME

Self-expression, personal development, social issues, inclusion

COMPLEXITY

Intermediate

GROUP SIZE

15-20

participants

AGE

13+

TIME

110

min.

Step-by-Step Instructions:

  1. Introduction (5 mins): Explain the purpose of the activity (dance improvisation, self-expression, human rights, relationship between self and society).
  2. Breaking the ice (25 min): If the group is meeting for the first time or consists of mixed participants, begin with a preparatory activity such as a name game. It’s also important to include a body scan, grounding exercise, or warm-up to help participants relax and connect with their bodies, the floor, to breathe and let go of all the worries. You can also use 1-2 introduction activities from the additional chapter at the end of the Toolbox, based on your needs.
  3. Visualization and flow writing (30 min): Participants are invited to find a spot in the room and a comfortable position (they can sit, lay down on the floor, but should take a relaxed body position). The facilitator then leads a visualisation exercise to imagine for instance a happy place in nature, or an ideal city/community/world, depending on a topic or question (e.g. “How would a world with complete equality/inclusion/sustainability look like?”). The participants visualize it using all the senses in their imagination and to connect with feelings (“How does this place/world make you feel? What are the textures/colours/shapes that you see? What are the sounds, the smells?”). Then, they are invited to come back to the present, but with the visualization in mind. The facilitator hands out papers and pens and invites the participants to engage in ‘flow writing’, related to their visualization. That is, they can write freely their flow of thoughts without worrying too much about whether the text is coherent or structured. The important thing is that they try to unwind and write down their thoughts and feelings as freely as possible, without judgement, letting the flow take over. They can write whatever comes to mind—how they’re feeling right now, what they’ve been thinking about in the visualization, what did the world they imagined look like, what problems do they see related to the topic/question in the real world compared to the imagined world, or just anything that’s on their mind. This should last for 10 to 15 minutes. In the end, they are asked to circle out three key words from what they’ve written: a noun, verb and adjective (if possible). Provide an explanation with examples if some participants don’t understand these words.
  4. Dance improvisation (35 min): Now the participants are given the task to create a small improvisation dance based on their three key words. The facilitator begins with a quick warming-up in a circle, and gradually lets the participants slip into their own movement. Their three key words are serving them as guide and inspiration for the movement, while music is played. The participants are encouraged to explore the movement and exercise their improvisation until they have a fixed small choreography. This part should last about 10-15 minutes. If there is time left, half the group can show their choreographies by performing for the other half as the audience, and vice versa. Afterward, the group gathers in a circle to share how it felt, what the key words were, and how they translated them into movement/dance.
  5. Reflection and evaluation (15 min): The participants sit in a circle and reflect about how the activity was for them, sharing thoughts and discussing.

Reflection Questions:

    • How was the exercise for you?
    • What feelings emerged in the visualization?
    • Was it difficult to translate the words into movement?
    • Do you think such a place/community/world is possible? If not, why? If yes, what should happen to direct us towards this vision?

For evaluation, observe participant engagement and mood, the way they move and what they share in the reflection/discussion. Collect feedback verbally, via a quick survey or through association

Tips for Facilitators:

  • Create a welcoming and non-judgmental atmosphere.
  • Make sure the participants feel comfortable and free to express themselves.
  • Be mindful of participants’ sensitivities – avoid forcing anyone to participate/move more than they are comfortable. Remind participants that dance is not about the perfect movement, but self-discovery and a special encounter with others through non-verbal bodily communication.

Variations and adjustments:

  • This activity can be modified for discussing different topics and social issues. This can be done by changing the visualization exercise accordingly.
  • For younger participants or beginners: Simplify the visualisation and writing prompts. Instead of complex social issues, use more relatable themes such as “a place where you feel safe” or “your happiest memory.” Shorten the writing segment and focus more on simple movement expression (e.g. using shapes, directions, or emotions like happy/sad/angry).
  • To deepen the experience: Invite participants to work in pairs or small groups for the final improvisation. They can create a short choreography together based on their combined key words. This promotes cooperation and adds a social layer to the creative process.
  • Provide extra support for participants who may have difficulty with writing or movement. This can include offering words of encouragement, demonstrating the task with an example, or providing a chair for those who have trouble standing.
  • For multilingual or mixed-language groups: Allow participants to write in their native language and, if willing, translate or explain key words later. Alternatively, encourage them to express the meaning through movement without needing to explain verbally.
  • For groups with trauma sensitivity or emotional vulnerability: Focus the activity on more neutral or uplifting themes (e.g. hope, nature, dreams). Offer participants the option to opt out of specific parts (e.g., performance), and emphasize emotional safety throughout the process.

Contact

Iuliana Adriana PAVEL (project manager)

iuliana.pavel@a4action.ro
A4ACTION – Antim Ivireanu Culture House, Islaz Alley, Ghermănești, Snagov, Ilfov District, Romania, 077170


Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the ANPCDEFP. Neither the European Union nor the ANPCDEFP can be held responsible for them.


The project is conducted by the following organisations: A4ACTION (Romania) – coordinator, Udruga Delta (Croatia), InterAktion (Austria), Asociación Espacio Rojo (Spain) and GAIA Museum Outsider Art (Denmark).

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