The sound of textures
This method merges crafting and music, while exploring the topic of textures. Participants explore the sounds of different textures and express their feelings through drumming. They collaboratively create simple DIY percussion instruments from recycled materials and discover their group rhythm by playing the instruments they’ve crafted. It develops creativity, group cohesion and a sustainable mindset (using recycled materials).


THEME
Exploring textures through recycling and music

COMPLEXITY
Advanced

GROUP SIZE
15-20
participants

AGE
13+

TIME
150
min.
Objectives
- Provide a different approach to learning about textures
- Express emotions through music and create DIY instruments
- Improve group dynamics and relationships
Materials
- A room suitable for crafting instruments (enough space, adequate light), different recycled materials (cans, bottles, tubes, pebbles, rice, cardboards, nails, ring pulls, cloths, single-use cups, plates and cutlery…), pens, papers, strong glue, scissors, hammers, pliers, screws, a recording device.
Overview
Participants explore the sounds of different textures and express their feelings through drumming. They collaboratively create simple DIY percussion instruments from recycled materials and discover their group rhythm by playing the instruments they’ve crafted.
Step-by-Step Instructions:
- Introduction (5 min): Explain the purpose of the activity (exploring materials and textures though sound, recycled crafting, jointly music making).
- The sound of textures (15 min): At the beginning of the activity, participants are introduced to the concept, importance, and various types of textures. Textures refer to the perceived quality of an object, experienced through sight or touch. The facilitator explains the difference between visual textures (such as color arrangements, intensities, and brushstroke qualities) and tactile or surface textures (how something feels to the touch), discussing their roles in art, design, and everyday life. Participants then observe and explore various materials by touch, describing their textures using adjectives like smooth, soft, rough, coarse, or glassy. Following this, they are invited to explore how different textures can produce different sounds and how these sounds can be used to express different moods. Each participant demonstrates a texture-related sound, and the group discusses the materials used, how the textures affect us, and how we can creatively use them.
- Crafting recycled instruments (60 min): Participants are divided into small groups of three and tasked with creating simple percussion instruments using various textures and recycled materials. While each participant builds their own instrument, they collaborate and support one another within their group. The facilitator guides them through the entire process—from brainstorming and design to construction and decoration—encouraging creativity and teamwork throughout.
- Presentation and jam session (60 min): In this part of the activity, participants present their instruments and demonstrate the sounds they produce. They are encouraged to share their creative process, including which materials they chose and why. They reflect about the used materials, noticing the differences of sound based on texture and how the instrument is played. Following the presentations, the entire group explores their collective sound and engages in a jam session, experimenting with rhythm and attempting to find a shared groove. The facilitator records the session to capture the group’s unique musical expression.
- Reflection and evaluation (10 min): At the end of the activity, the group gathers in a circle to share their thoughts and reflections. The facilitator poses guiding questions, and participants are invited to raise their hands if they wish to share. To conclude, the facilitator leads a final round in which each participant sums up their experience in one word and/or shares what they are taking away from the activity—what they learned or found meaningful. Participants may take their instruments home or keep them for use in future activities.
Reflection Questions:
-
- Was this an interesting way to learn about textures?
- What was the most interesting part?
For evaluation, observe participant engagement and mood, the way they react to the assignment and how they collaborate in groups. Collect feedback verbally, via a quick survey online or through association cards.

Tips for Facilitators:
- Create a welcoming and non-judgmental atmosphere.
- Make sure the participants feel comfortable and free to express themselves.
- Provide extra support to participants who might struggle with the task.
- To ensure all aspects of the activity are carried out safely and effectively, it is recommended that more than one facilitator leads the session.

Variations and adjustments:
- If conditions allow, participants can also be invited to bring their own recycled materials from home to contribute to the activity and deepen their sense of responsibility and thoughts on recycling.
- The activity can be split into more days (2-3) to avoid tiredness and loss of concentration.
- The activity can help strengthen relationships among students—especially if they already know each other—and enhance their sense of group cohesion. By creating music together and discovering their shared rhythm, participants develop a stronger group identity and connection.
- The activity can be particularly engaging for participants from cultures where music—especially drumming and clapping—plays an important role in daily life. The opportunity to make “noise” or music in a structured and creative way can capture their interest more effectively than traditional or formal teaching methods, keeping them actively involved throughout the activity.

Disclaimer:
- Extra caution must be taken to ensure safety, as participants may use potentially hazardous tools such as hammers and nails.
Music and movement activities
MODULE 1 NEEDS ANALYSIS
Needs analysis activities
MODULE 2 MUSIC AND MOVEMENT

Contact
Iuliana Adriana PAVEL (project manager)
iuliana.pavel@a4action.ro
A4ACTION – Antim Ivireanu Culture House, Islaz Alley, Ghermănești, Snagov, Ilfov District, Romania, 077170
Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the ANPCDEFP. Neither the European Union nor the ANPCDEFP can be held responsible for them.
The project is conducted by the following organisations: A4ACTION (Romania) – coordinator, Udruga Delta (Croatia), InterAktion (Austria), Asociación Espacio Rojo (Spain) and GAIA Museum Outsider Art (Denmark).









