Mirror dance
The method offers a space to explore individual and collective movement. Participants engage in moving and dancing exercises in pairs and trios, with emphasis on improvisation and self-expression. Through simple, yet engaging tasks, the activities develop bodily awareness towards one self and the others using non-verbal language and contact.


THEME
Self-expression through movement, inclusion, empathy

COMPLEXITY
Beginner

GROUP SIZE
15-20
participants

AGE
13+

TIME
90
min.
Objectives
- Connect with the body
- Develop empathy
- Celebrate diversity
- Foster inclusion and group cohesion through non-verbal communication
Materials
- A room suitable for dancing (enough space, light, adequate flooring), music playlist (adapted to the age and the style of music that the participants like), laptop or mobile phone and loudspeakers.
Overview
Participants engage in moving and dancing exercises in pairs and trios.
Step-by-Step Instructions:
- Introduction (5 mins): Explain the purpose of the activity (dance improvisation, self-expression, celebrating diversity).
- Breaking the ice (20 min): Use 2-3 introduction activities (name game, energizer, warming-up) from the additional chapter at the end of the Toolbox, based on your needs.
- Mirror dance (25 min): The facilitator asks the group to walk around the room with different prompts (slow, fast, as the floor is on fire, made of ice etc.). Then, allows them to do a small and gentle individual improvisation dance. When ready, the participants are divided into pairs. Two lines facing each other can be formed with a fun binary question (e.g., “Pineapple on pizza—yes or no?”), so the person you’re facing is your pair. Or the participants can all come together in a close-knit circle, close their eyes and stretch their hands forward, reaching someone’s hands – the person whose hand they’ve reached is their pair.
If the number is uneven, the facilitator can join.
The pairs are asked to look each other in the eyes without talking. Gentle music is played. They try to feel each other’s presence, and while they can laugh, they should really focus on not talking—just looking at each other (2-3 minutes). If they feel comfortable, they can come one step closer, but they need to be mindful of the other person’s comfort. The facilitator emphasizes the importance of consent and paying attention to the other person that you interact with.
Then, they receive instructions for mirroring: one person leads the dance by making a movement, and the other must follow it as if they were a mirror. After a set time, they switch roles and continue with the same instruction (5-7 minutes each). At this point they can start to move around the room. Then, the next task is to make a mirroring contrast. For instance, if the leading person makes a slow movement, the other needs to make it fast, if the lead makes an upward movement, the other person goes down and so on. The goal is to find a contrast or opposite movement of our pair. They switch roles after 5 minutes. In the end, the pairs are given the task of moving together in such a way that the tips of their index fingers are constantly touching (without letting go), if they feel comfortable to do so. They improvise together for 5-7 minutes.
- The doll (25 min): The facilitator begins by breaking the pairs and asking the group to move freely around the space. While they move, the facilitator gives simple prompts such as: “stop,” “go,” “clap,” and “jump.” After a while, the meaning of the commands is reversed—“stop” now means “go,” and vice versa; then, “clap” means “jump,” and “jump” means “clap.” This playful confusion increases focus and engages participants’ attention. Next, the facilitator introduces new movement prompts, such as: “move as if your left elbow is leading,” “move from your right knee,” or “let the top of your head guide your movement.” After a few rounds, the facilitator stops the activity and asks participants to form trios with those nearest to them. In each trio, one person becomes “the doll,” while the other two act as guides, giving nonverbal instructions by gently touching parts of the doll’s body (e.g., elbow, head, knee, arm, back). The doll responds by initiating a movement that starts from the touched point, allowing the motion to unfold naturally from that impulse. After 5–7 minutes, the roles rotate so that each participant has the chance to be the doll.
A simple variation is that one person in the trio is leading the movement, and the others follow, while the roles get switched in rounds, as they feel.
To end the activity, all the trios can move freely, improvising together and moving through the whole space. - Reflection (15 min): The participants sit together in a circle and take time to reflect on the shared experience, discussing how they felt during the activity and what they are taking away from it.
Reflection Questions:
-
- How did moving with each other make you feel? Was it nice, uncomfortable, new…?
- What did you learn about yourself and others through movement?
If there is enough time, it is advised to make a small reflection after each activity.
For evaluation, observe participant engagement and mood, the way they move and react to each other in each activity. Collect feedback verbally, via a quick survey or through associative cards.

Tips for Facilitators:
- Create a welcoming and non-judgmental atmosphere. Remind the participants that any kind of body and movement is welcomed.
- Make sure the participants feel comfortable and provide extra warming up or grounding exercises if needed.
- Be mindful of participants’ sensitivities – avoid forcing anyone to participate/move more than they are comfortable.
- Remind participants that dance is not about the perfect movement, but self-discovery and a special encounter with others through non-verbal bodily communication.
- Provide extra support to participants who might struggle with movement.

Variations and adjustments:
- If you plan to conduct the workshop with participants who have physical disabilities, provide additional support—such as extra chairs for those who may have difficulty standing.
- Allow shy or anxious participants to observe the first few rounds or to join in with smaller movements they feel safe doing. Participation should always be voluntary and respectful of personal comfort.
- For groups uncomfortable with physical contact, offer alternatives such as mirroring at a distance, or doing paired movements side by side rather than face-to-face.
MODULE 1 NEEDS ANALYSIS
Needs analysis activities
MODULE 2 MUSIC AND MOVEMENT

Contact
Iuliana Adriana PAVEL (project manager)
iuliana.pavel@a4action.ro
A4ACTION – Antim Ivireanu Culture House, Islaz Alley, Ghermănești, Snagov, Ilfov District, Romania, 077170
Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the ANPCDEFP. Neither the European Union nor the ANPCDEFP can be held responsible for them.
The project is conducted by the following organisations: A4ACTION (Romania) – coordinator, Udruga Delta (Croatia), InterAktion (Austria), Asociación Espacio Rojo (Spain) and GAIA Museum Outsider Art (Denmark).









