Rhythm playfield
The activity encourages participants to produce and engage with rhythm using their body and surroundings. It develops rhythm play culminating in group drumming experience. Through simple rhythm games and exercises, they develop body awareness and enhance group cohesion in a playful and engaging manner.


THEME
Getting in tune with self and others through rhythm

COMPLEXITY
Intermediate

GROUP SIZE
10-15
participants

AGE
13+

TIME
80
min.
Objectives
- Develop body awareness and boost self-confidence
- Enhance interpersonal relationships and group cohesion
Materials
- A room suitable for sitting on chairs or on the floor, materials or (optional) instruments that can produce rhythmic sound, like simple percussion instruments or rocks, sticks…
Overview
The activity encourages participants to produce and engage with rhythm using their body and surroundings. It develops rhythm play culminating in group drumming experience.
Step-by-Step Instructions:
- Introduction (5 min): Explain the purpose of the activity.
- Simple rhythm game (15min): Facilitator encourages the group to remember rhythm games they played as children with one another, using hands for clapping with other people in pairs or groups. The facilitator goes first and shows the game with the group, demonstrating with one or multiple people from the group. The rest of the group is encouraged to form their own pairs or smaller groups and follow the facilitator’s group. Then, volunteers are called to share with the group. They demonstrate and the rest of the group follows. Optional: Facilitators share a rhythm game done in a pair, and then encourage volunteers to show games done in bigger and bigger groups, finishing in a big circle.
- Rhythmic movement (15min): The facilitator explains the point of the exercise – to follow another’s movement with rhythm. Participants are split in pairs. Each person has 5 minutes for rhythmic movement, and the task of their pair is to follow their movement with rhythm produced in a way they wish – with hands, on objects, with simple percussion instruments (if available). The rhythm should try to match the other persons’ movement as best as possible. Then, the roles are switched. If there are visually impaired people, instead of movement the other person can use the voice or their own rhythm.
- Dancing to the beat (35min): The group is split in two. The first group sits in a circle and develops their own rhythmic concert, using their body, objects, floor, or instruments. The facilitator explains that they should improvise, but also listen to each other and try to explore together. The second group is the audience and after some time, the facilitator encourages them to get up and start dancing to the music. Then, the groups switch roles.
- Reflection and evaluation (10 min): Participants sit in a circle and share thoughts on how the activity was for them.
Reflection Questions:
-
- What was this experience like for you?
- How did you feel with the rhythm? Was it easy or hard for you to complete the tasks?
- Was there something that surprised you? Which part of the experience was the most impactful for you?
- Did you learn something new about yourself and others during the activities?
For evaluation, observe participant engagement and mood, the way they react to the assignment and how they collaborate in groups. Collect feedback verbally, via a quick survey or through associative cards.

Tips for Facilitators:
- Create a welcoming and non-judgmental atmosphere.
- Make sure the participants feel comfortable and free to express themselves.
- The room should be safe (free of sharp edges) and spacious enough to allow for unrestricted movement. The floor should not be slippery.
- Instruments provided should be fairly simple to use, without small parts that could get lost or come underfoot.
- It is important to keep in mind that some participants may need additional physical support during the activity.

Variations and adjustments:
- Variations depend on the space available. If there are two separate rooms, the last exercise can be done differently – two smaller groups can rehearse in their own space, and the facilitator can lead one by one group to the others’ space to dance, and then lead them out.
Music and movement activities
MODULE 1 NEEDS ANALYSIS
Needs analysis activities
MODULE 2 MUSIC AND MOVEMENT

Contact
Iuliana Adriana PAVEL (project manager)
iuliana.pavel@a4action.ro
A4ACTION – Antim Ivireanu Culture House, Islaz Alley, Ghermănești, Snagov, Ilfov District, Romania, 077170
Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the ANPCDEFP. Neither the European Union nor the ANPCDEFP can be held responsible for them.
The project is conducted by the following organisations: A4ACTION (Romania) – coordinator, Udruga Delta (Croatia), InterAktion (Austria), Asociación Espacio Rojo (Spain) and GAIA Museum Outsider Art (Denmark).









